The real reason to hate the poet Philip Larkin is not that he was a racist and a masturbator (I find it amazing that these two "sins" were somehow equated in the so-called liberal press), but that he sat as jazz reviewer for the Daily Telegraph and denounced every development since Benny Goodman as scandal and degeneracy. Philip Larkin - in his hidebound, parochial, British way - has nothing remotely useful to say about jazz. Adorno, using his highly developed vision of modernity, had an extraordinary sensitivity to the way that marketing and mass production effected art. His analysis of jazz and television is not a conservative critique, but a revolutionary one.
Ben Watson, 'Theodor Adorno and Mass Culture'